By Jerry Mander
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Unfortunately, if the kids today never get to see the historic original footage they are going to believe that this Happy Days version was the real thing. 6 Jack Good was the Anti-Clark. Unlike Clark, who deftly mastered the rock ’n’ roll business because he was interested in the business rather than the rock ’n’ roll, Good was an intellectual (an Oxford grad), a dandy, and an artist who loved and respected rock and R&B. ” Bonds’s recordings to French Impressionist painting. While Clark focused on making his show, record sales, and every element of the industry work smoothly and efficiently, Good was interested in making rock ’n’ roll rock and roll.
Though rock ’n’ roll changed pop music by making it primarily youth oriented, the teen idols and early 1960s pop-oriented vocalists made records for kids that also met with parents’ approval. Even the best acts that made prominent TV appearances, like the Everly Brothers and the Beach Boys, weren’t exactly pelvis swiveling threats. Only the emergence of Jackie Wilson, who combined Rat Pack smoothness with James Brown dynamism, brought any real fire to prime-time music programming in those years.
But the idea of the dead rock ’n’ roll period is bogus, as rock was being revitalized on two fronts during those years. A new breed of black artists such as James Brown and Stevie Wonder emerged to create not only unbelievable records but also a whole new wave of moves and sounds to be appropriated by non-innova- 01 (001-024B) chapter 1 5/25/05 10:49 PM Page 19 Rock Around the Box 19 tors on both the white and black charts. Also, the American garage rock movement, which would absolutely explode after the Beatles’ arrival, was off to a very healthy start, with the raw, powerful Northwest rock scene establishing itself with the Wailers (the greatest house party band of all time) and with the release of the ultimate garage single, “Surfin’ Bird,” by Minnesota’s Trashmen.