A Poetics of Postmodernism and Neomodernism: Rewriting Mrs by Monica Latham (auth.)

By Monica Latham (auth.)

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Additional resources for A Poetics of Postmodernism and Neomodernism: Rewriting Mrs Dalloway

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Too jerky & minute. some general style must be found, or one’s attention is too broken. Suppose the idea of the book is the contrast between life & death. All inner feelings to be lit up. The two minds. Mrs. D. & Septimus. And the design is something like this – Mrs. D: ent comes on alone. (as in past Chapter:) We then go on to a general statement, introducing Septimus. They are linked together by the aeroplane. We then return to Mrs. D. alone in her drawing room & settle into her. (Notebook, Berg Collection, Wussow 414) Since the first two short stories were conceived as separate chapters, each with a different focus, Woolf’s growing preoccupation is to create cohesion in the new generic matrix that absorbs and develops the initial material.

Can one admit rhapsodies? (Notebook, Berg Collection, Wussow 415) Woolf’s avowed aim is to create a novel with a smooth, unbroken texture, except for deliberate breaks to introduce narrative, external information (‘give the surroundings – time and space – as well as the individuals’). However, these breaks are not to be jarring, rough or unpolished so as to forcibly tear the Dalloway-esque fabric, which must appear as seamless as possible, fluid, natural and effortless. This scrupulous attention given ‘The Dressing-rooms’ 33 to the fluidity and consistence of the prose as well as to the plunging into and emergence from the characters’ expanding thoughts constitutes a characteristic that many contemporary authors today adopt to fashion their own prose.

Instinctiveness: yet of an old civilisation. (Notebook, Berg Collection, Wussow 417) These detailed notes and plans give birth to the following passage in which Septimus and Rezia are in Regent’s Park before their appointment with Dr Bradshaw. Rezia observes her husband while he is talking to Evans, his dead friend, and is overwhelmed by his mood swings: There Robert was Septimus sat, in his overcoat, staring at the sky. His lips were moving. He was talking to himself, or talking to Evans, a dead man.

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